Description:
White marble fragment W. 0.38 × H. 0.14 × D. 0.23, perhaps complete to left.
Text:
Inscribed on the face
Letters:
0.0125-0.02. ligatures: TH, l.2 (twice)
Date:
Second to third centuries A.D. (lettering)
Findspot:
City, Village: in a house wall' (MAMA)
Original Location:
Unknown
Last recorded location:
Findspot (1934)
History of discovery:
Copied by Reichel (1.17 and squeeze 73); recorded by the MAMA expedition; not reported subsequently
Bibliography:
: Published by Cormack, from the MAMA records, MAMA 8, no. 593, whence McCabe PHI Aphrodisias 555
Text constituted from:
Publication; Reichel This edition Roueché and Bodard (2007).
0 ·· ? ··]
1 ΕΙΣ ὑποκείσονται [·· ? ··]
2 τῇ θεᾷ Ἀφροδείτῃ Ι̣[·· ? ·· τὸν κατὰ]
3 καιρὸν νεοποιὸι [·· ? ··]
4 θ̣ης ἐσ̣[τι]ν ὁ Τατιανὸ[ς ·· ? ··]
0·· ? ··]
1ΕΙΣΥΠΟΚΕΙΣΟΝΤΑΙ[ - - - ]
2ΤΗΘΕΑΑΦΡΟΔΕΙΤΗ·[ - - - ·······]
3ΚΑΙΡΟΝΝΕΟΠΟΙΟΙ[ - - - ]
4·ΗΣΕ·[··]ΝΟΤΑΤΙΑΝΟ[· - - - ]
<ab>
<lb n="0" />
<gap reason="lost" extent="unknown" unit="line" dim="top" />
<lb n="1" />
ΕΙΣ
ὑποκείσονται
<gap reason="lost" extent="unknown" unit="character" dim="right" />
<lb n="2" />
τῇ
θεᾷ
Ἀφροδεί
τῃ
<unclear reason="damage" >
Ι
</unclear>
<gap reason="lost" extent="unknown" unit="character" dim="right" />
<supplied reason="lost" >
τὸν
</supplied>
<supplied reason="lost" >
κατὰ
</supplied>
<lb n="3" />
καιρὸν
νεοποιὸι
<gap reason="lost" extent="unknown" unit="character" dim="right" />
<lb n="4" />
<unclear reason="damage" >
θ
</unclear>
ης
<unclear reason="damage" >
σ
</unclear>
<supplied reason="lost" >
τι
</supplied>
ν
Τατιανὸ
<supplied reason="lost" >
ς
</supplied>
<gap reason="lost" extent="unknown" unit="character" dim="right" />
</ab>

Apparatus

l. 1, κείσον̣[ ... Reichel

l. 2, ΤΗΟΣΑ Reichel

l. 4, perhaps ἐ[πὶ] Π̣οτιτιανο̣[ῦ Cormack; ΕΤ̣[ . ]ΙΟ ΤΑΤΙΑΝΟ[ .. Reichel.

Translation:

. . . ] will lie below[ ? penalty to be paid ] to the goddess Aphrodite { ? under the guidance of] the neopoioi then in office [·· ? ··] is Tatianos

Commentary:

This may be an excerpt from a funerary penalty formula, but the expressions are unusual.

Photographs:
none.

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