8.97. Lists of Muses
- Description:
- White marble doric half-column, supporting stage architrave.
- Text:
- Inscribed on the east face. a: traces of a text in red paint. b: cut below a large square hole.
- Letters:
- a: 0.05-0.06. b: Carefully inscribed and well aligned angular letters (rhomboid omicron and theta, square-bottomed omega), with serifs; fairly lightly cut, 0.025-0.03; l. 5 is in smaller letters (0.01), apparently squeezed in after the text had been cut.
- Date:
- Third to fifth centuries A.D. (context, lettering)
- Findspot:
- Theatre: stage, portico across stage, thirteenth column from south.
- Original Location:
- Findspot
- Last recorded location:
- Findspot
- History of discovery:
- Recorded by the NYU expedition.
- Bibliography:
- Published by Roueché, PPA 6.13.
- Text constituted from:
- Transcription (Reynolds, Roueché) This edition Roueché (2007).
- a
- 1 [Μελπομ]έ̣̣νη
- 2 Οὐρ[αν]ία
- 3 Κ̣α̣[λλι]όπ̣η
- b
- 1 Κλιώ Ε̣
- 2 Εὐτ̣έ̣ρ̣πη
- 3 Θαλία
- 4 Ἐρατώ
- 5 Πολυμνία
- 6 Μελπ̣ομένη
- 7 (sic)Τερ̣ψικ̣όρη
- 8 Οὐρανία
- 8 Καλλιόπη leaf
- c
- ( c: There are further traces of letters further down, and, just above floor level, a graffito of a long-necked bird.)
- a
- 1[······]·̣ΝΗ
- 2ΟΥΡ[··]ΙΑ
- 3··[···]Ο·Η
- b
- 1ΚΛΙΩ·
- 2ΕΥ···ΠΗ
- 3ΘΑΛΙΑ
- 4ΕΡΑΤΩ
- 5ΠΟΛΥΜΝΙΑ
- 6ΜΕΛ·ΟΜΕΝΗ
- 7(sic)ΤΕ·ΨΙ·ΟΡΗ
- 8ΟΥΡΑΝΙΑ
- 8ΚΑΛΛΙΟΠΗ leaf
- c
- ( c: There are further traces of letters further down, and, just above floor level, a graffito of a long-necked bird.)
Apparatus
b, line 1: The E suggests that the cutter started to write Εὐτέρπη.
l. 7, the rho was squeezed in, and is barely determinable.
Translation:
a: . . . Melpom]ene, [ .. . ., . . .] , Ourania, Kalliope
b: Klio, Euterpe, Thalia, Erato, Polymnia, Melpomene, Terpsichore, Ourania, Kalliope
Commentary:
One of a series of inscriptions on the columns supporting the architrave on the stage (which carries 8.1): 8.89, 8.98, 8.90, 8.91, 8.92, 8.93, 8.94, 8.95, 8.96, 8.97 . All the inscriptions are on the stage side of the columns, and were presumably only visible to those using the stage. See Roueché, Performers and Partisans, Chapter III.
Photographs:
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