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Section: I | II | III | IV | V | VI | VII | VIII | IX | X | XI | XII
Section X: Public entertainments
Inscriptions in this section
184
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185
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186
[Republished elsewhere: 179 republished as PPA 45.3.K, 4.A
,
180.2 republished as PPA 47
,
181.i republished as PPA 46.B.1
,
181.ii republished as PPA46.C.18
,
181.iii republished as PPA46.G.12.i
,
181.iv republished as PPA46.G.12.ii
,
181.v republished as PPA46.H.6.ii
,
181.vi republished as PPA46.H.9.ii, iii
,
181.vii republished as PPA46.J.13
,
181.viii republished as PPA46.L.4
,
181.ix republished as PPA46.X.4
,
182 republished as PPA 1.1.iii
,
183 10]
X.1 Three places of public entertainment and
spectacle are known to us at Aphrodisias. The largest, the Stadium, has never
been covered; the Bouleuterion/Odeon and the Theatre have been excavated by the
current expedition. In all three auditoria a considerable number of
inscriptions were found on the seats, and in the Odeon and the Theatre some
performers' inscriptions have been found on the stage.
X.2 In ALA I published a selection of texts from
the auditoria which appeared to belong to the Late Antique period. It was
already clear to me that that was not a very useful division; and I have since
republished them with all the other texts inscribed by users of the auditoria. 1
ALA |
PPA |
179 |
45.3.K, 4.A
|
180.2 |
47 |
181.i |
46.B.1
|
181.ii |
46.C.18
|
181.iii |
46.G.12.i
|
181.iv |
46.G.12.ii
|
181.v |
46.H.6.ii
|
181.vi |
46.H.9.ii, iii
|
181.vii |
46.J.13
|
181.viii |
46.L.4
|
181.ix |
46.X4
|
182 |
1.1.iii
|
183 |
10 |
I do not therefore
propose to republish them here.
X.3 The evidence from Aphrodisias has made an
important contribution to our understanding of the nature and development of
the factions or colours. Blue, Green, White and Red were the colours under
which chariot-teams competed at Rome in Republican times; and the colours came
to supply the names for professional organizations which provided those teams.
These organizations or factions (factiones) continued to organize chariot-racing at Rome throughout the imperial world;
and when, in the early fourth century, chariot-racing on Roman lines spread to
Constantinople and the other major cities of the east, it was arranged in the
same way. While four colours continued in use, the Blue and Green factions
were, as they had traditionally been, the dominant organizations. 2 Meanwhile, in the many cities of the
eastern empire, such as Aphrodisias, which did not have hippodromes, other
forms of public entertainment based on the auditoria continued to flourish and
even increase. In particular, we have evidence for the continuation of
venationes at Aphrodisias; an arena was constructed, with considerable care, at
the east end of the Stadium at some time between 393/5 and 408. 3 Such activity is reflected in the occupation of Epiphanius, who is
described in his epitaph, 237, as a
rearer of bulls — presumably for venationes.
X.4 Alan Cameron first identified the important
development which seems to have taken place during the fifth century. and
pointed out the particular relevance of the new material from Aphrodisias. At
some time during the fifth century the two circus factions, the Blues and the
Greens, appear to have taken over the organization of theatrical and other
entertainments, as well as chariot-racing. Among the principal evidence are
references to theatrical and other performers belonging to one of the factions
— as in PPA 1.1.iii, referring to the mimes of
the Greens. 4 There is, of course, no clear evidence
for dating these inscriptions closely, but they were probably cut after the
mid-fifth century, which is when the factions appear to have undertaken their
new functions; and those in the Theatre must have been inscribed before the
Theatre fell out of use in the late sixth or early seventh century. That public
entertainments were still being presented, and, on occasion at least, in the
traditional form of contests, is also indicated by the description of two
governors of this period as agonothete (Dulcitius,
40, and Vitianus, 65). Such gatherings in the Theatre,
attuned to acclaiming the performers of their faction, will have been well
prepared to undertake the acclamations recorded in and around the Theatre, such
as 75 and 76.
X.5 From the material collected from the auditoria
and presented in PPA
it is clear both that the late antique inscriptions were part of a long
tradition, but also that in the Late Antique period the factions — the Blues
and the Green — played an important part in the life of the city. The majority
of their inscriptions were found, as might be expected, within the auditoria;
but others were found in the streets, reflecting the role of the factions in
public ceremonies. Such activity by the factions can be documented even more
fully at Ephesus, where the factional acclamations can be traced along the
Marmorstrasse. 5
X.6 Those presented here are all carefully cut in
prominent positions, and are probably not casual, private graffiti, as some of
the texts in the Theatre, for example, might be. Instead, they seem to have no
less official a status than the other acclamations recorded in public places
(see discussion at V.54). The representation of
the names of the factions, and of whole slogans, in the form of monograms, in
both 185 and 186. i and iii, is paralleled by examples at Ephesus. 6 The choice of box monograms means that
these texts are not likely to be later than the sixth century (see discussion
at Introduction.11).They therefore seem to
provide yet more evidence for energetic civic activities at Aphrodisias in the
later fifth or sixth centuries, to add to that in Sections V and VI.
X.7 The
extended text in 184 enable the
resolution of 185, which stood
nearby. The recognizable letters permit the reading νικᾷ
ἡ τύχη τῶν Πρασίνων and
the discovery in 1985 of the preceding text in the same area persuaded me
that this is the correct solution. Two small versions of what appears to be the
same monogram have been found on seats in the Theatre (PPA.46.E 9 and 11), although in
those the Κ and Α
appear to be missing, so that they should perhaps read ἡ
τύχη τῶν Πρασίνων.
X.8 The acclamation of the city (see 83. v and 84) is also combined with that of a faction in PPA 10. The association in these texts, however, of the city with both
factions indicates that this is more than a partisan statement, and instead,
that at an early date the factions took up a non-competitive and ceremonial
function, as Alan Cameron has argued they did during the sixth century. 7 The acclamations here suggest that the
city might be formally acclaimed (as at 83.
v) with each of the factions; for such a juxtaposition, compare the
acclamations recorded in the Book of
Ceremonies as used at certain chariot races, where the faith, (πίστις) of the emperors, the city and then of the two
factions is acclaimed νικᾷ
ἡ πίστις τῆς πόλεως καὶ τῶν Βενέτων (οἱ Πράσινοι/Πρασίνων) (De
Cer. 349). I am tempted to see these acclamations, as well as other
inscribed acclamations on the site, as recording an actual ceremony, perhaps in
the Agora.
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